Blackwall Yard:

As the Senior Environment Artist working on this level, my responsibilities were to take the design from an initial blockout to a final playable level. I oversaw all aspects of R&D, prototype, tileset creation, prop assets, set dressing, outsource reviews, mentoring and training new environment artists, vistas and LOD production, material blending, level optimization, troubleshooting and resolving all bugs. I worked on the modeling, UVs, set-dressing, vistas and finalized and polished multiple areas in Blackwall Yards, including the creation, from start to finish, of one of the most complicated areas in The Order: 1886, the Shipyard. I worked closely with Lighting Artist Neil Davies, Environment Texture Artist Bobby Rice and FX Artist Orson Favrel. Level design by Sundeep Dass, additional modeling support provided by Nestor Carpintero. Additional texture polish and optimization by Megan Park.

I want to give a special “Thank you!” to Environment Lead Anthony Vitale, Art Director Nathan Phail-Liff and the Concept Team.

Tesla’s Lab

As the Senior Environment Artist on this level, my responsibilities were to take the design from an initial blockout to a final playable level. I worked on the level’s prototype, all architecture and furniture assets, lab equipment, inventions, and additional set dressing. I also created a second, destroyed version of this area for the final boss fight. Environment Textures done by the really talented artist, Erin McKown. Lighting by William Schilthuis, FX by Orson Favrel and Weapon Design by James Tran.

Embankment

I created this level from start to finish, re-using the texture library from Blackwall Yards. I was responsible for modeling, UVs, texture blends and lighting. Additional support provided by David Budlong and Neil Davies.

I was responsible for the modeling and textures of the levels "Ice Mountains and Ice Return"

more projets coming soon